11 Heaviest Keyboard Riffs Ever | Dream Theater Keyboardist Jordan Rudess' Picks

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Published 2022-07-27
In the prog-metal world, it’s nearly impossible to think of keyboards without thinking of Dream Theater’s Jordan Rudess. With his virtuosic talent in mind, we asked Rudess to pick the 11 heaviest keyboard riffs of all time, and he delivered in spades. Watch above as he gives us a history lesson in heavy with classical crushers such as Beethoven’s “Sonata Pathétique” to the proto-metal key smashing of Jon Lord on Deep Purple’s “Hush.” Be sure to let us know your picks for heavy keyboard riffs in the comments!

Background music: "Pseudo" by Alexander Nakarada (www.serpentsoundstudios.com)
Licensed under Creative Commons BY Attribution 4.0 License
creativecommons.org/licenses/by/4.0/

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#dreamtheater #jordanrudess #keyboard #piano #pianomusic #progressiverock #progrock #progmetal #progressivemetal #johnpetrucci #mikeportnoy #classical #composer #beethoven #rachmaninoff #emersonlakeandpalmer #yes #genesis #deeppurple #edgarwinter #chopin #grieg #uriahheep #bach

All Comments (21)
  • @heinhein54
    God that pipe organ part from Close to the Edge blew me when i first heard it and still gives goosebump : a real masterpiece
  • @JayMaverick
    What a nice young man. I'm sure his band will be a great success.
  • @jpslaym0936
    I was standing in long line at security waiting to fly out of LAX about 5 or 6 years back not exactly enjoying myself when I heard a very talented individual skillfully and tastefully tickling the keys of a white Grand Piano that is for some reason stationed on second floor landing overlooking the international departures airline ticket offices. The pianist played a number of renditions of popular music from 70s-90s along with some classical shorts. He stopped a couple times between pieces and was greeted by rounds of applause from the mass humanity moving past him at the piano. As a huge DT fan from the release of their very first single "Pull Me Under" in the 90s I almost immediately thought I recognized the fluid technique and his distinctive crescendos and dynamic tempo changes. Of course, it was the greatest Rock and Progressive Metal keyboardist of all time; Jordan Rudess.
  • @JL-we3un
    I'd like to honorably mention Tom Scholz on keyboards on Boston's Foreplay / Long Time. The first 90 seconds is pretty heavy and I must've listened to it hundreds of times.
  • @honjon666
    That organ section in Close to the Edge, I remember listening to the Yessongs version on mushrooms when I was 17 or so. I felt like those chords were ripping my body apart. Such an intense part juxtaposed to the soft moody vocals of Jon. I love Yes so much. So glad Jordan chose this particular section.
  • @Jin.Yoon.
    I'm so glad that he chose Beethoven, Rachmaninoff, and Bach.
  • When it comes to Jon Lord, the opening to "Perfect Strangers" is heavy personified Remember: D minor is the saddest key of them all
  • @thosava
    I’m almost 40 years younger than him, and Tarkus blew my mind too.
  • @AGDinCA
    RIP Jon Lord - he was the GOAT 🐐
  • @JanneOksanen
    Two really pieces that come to my mind are Perfect Strangers and Mr. Crowley
  • @BlackDeej
    Chopin's 'Funeral March' = death metal, man is that some good irony right there - plus some great music too 🙂
  • @Selkirk69
    Grieg, Stravinski, Tchaikovsky, and Chopin. My mom was a concert pianist and had performed in Canada a number of times as she was considered comparable to Gould, so I listened to Chopin being played more than anyone and love his works to this day.
  • @KKMcK1
    I have always loved the grinding B3 tones and textures of Steppenwolf. "The Pusher" and "Born to be Wild".
  • @martinr5235
    Tarkus is constantly playing in my head, Keith Emerson was a genius !
  • fantastic list! Love the back and forth with Classical and Prog.
  • Awesome picks. When it comes to heaviness in classical music I really dig the opening section in Tchaikovksy's piano concerto no 1.
  • @felipeleao7562
    So glad he mentioned Grieg. Lots of people forget how genius he was!