Glazing : Oil painting techniques - step by step demonstration

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Published 2016-01-31
00:58 Things to know about glazing
06:49 Material
10:19 Demonstration

Thanks for watching, please like and subscribe... it helps me make more videos like this.

HI everyone, pretty excited for this video as a lot of people asked me questions about glazing.

I had a hard time finding good glazing footage on one of my actual painting and it was not really satisfying for the video so I decided to paint a little sketch instead. It's not as nice but at least I really get to show you what glazing can do and play around with it. Hopefully you can learn something out of it !

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www.patreon.com/florentfarges

As always, don't hesitate to ask me questions, I am sure I missed a few points, but I will be glad to answer you.

All Comments (21)
  • @bencwil
    thank you thank you thank you. You've taught me more in an hour than I have in years of art school.
  • @Wendy8888
    Best glazing video I've seen! Thank you.
  • you honestly have the best quality videos for oil painting teaching its insane. You're such a good teacher and I've learned so much from you. Keep up the good work
  • @pw6titanium
    you could glaze with white if it was transparent enough...to do that you have to add a small amount of it to your glazing medium and then add calcite . Velazquez often added calcite to his paints as did Rembrandt and Rubens. Sometimes they even added crushed glass. Titian , being in Venice had access to coloured glass and ruby coloured glass has been found in some of his pictures. In testing old master paintings, a lot of finger print traces have been found because they could spread the glaze thinner than with a brush ; hence the sfumato from Leonardo and others.They also applied the medium and then wiped most of it off ! Then they let it sit for a while and then tested it with their finger and started pushing it around until it started to feel quite tacky. Then, they added full strength paint . They did not dilute it with the medium. They may have added one drop to facilitate the pigment flow. Then they scrubbed it in with the brush and then wiped most of it off, leaving a full coloured couche. When the right amount of paint was on the surface they could spread it out very thinly with more finger work.This then dried and the process was repeated . If it was too intense, it could be lightly scumbled over. Most people think that many glazings happened one on top of the other. If you are using 30 - 40 glazings as Titian did, then the pic. would get very dark rather quickly. The process was more glaze-scumble-glaze -scumble-glaze-glaze-scumble etc etc. Each layer would modify the next until the  required result was achieved. These fine modulations can produce a photographic finish that opaque painting can't really match. Also, back then , the clients wanted to look as life-like as possible, they didn't want to look like a Nicolai Fechin painting ; horses for courses.Art was a business/trade and you had to impress your clientele.
  • @SamiaKaram
    I haven't see any artist's that powerful as you. Thank you so much for your time...
  • @timmccowan7295
    Thank you Florent Farges. Your explanations are very clear and your demonstrations illustrate your points extremely well!
  • @AA-sv9ke
    Thank you so much for your generosity in sharing knowledge ❤️❤️❤️❤️❤️
  • @777CDH
    Finally I understand what glazing can and can not do. The mystery of how to use this technique further unravels... thank you great video!
  • @rider2731
    Florent, Thank you so much for making this video and sharing with us. You've done a great job in painting and explaining it.
  • Very helpful. I'm glad I watched this before starting work to bring to life a very pale face on a portrait undertaken months ago. Subscribed.
  • @Creeksideknoll
    I'm somewhat new to the painter community. I used to sketch and paint with acrylics and now I really would like to try oils. I love the method you use here because I am able to see the process of your painting by using big strokes at first then working down to details last. I will try this method when I start experimenting with oil paints. Thank you!
  • @rajnihada8863
    Respected sir, I am quite new to such technical side of oil painting. All I did was looking at other art works and try to paint as per my capacity, though I was always fascinated by old masters methods. Today I understood that every way of painting is correct if done with control and patience. Thanks.
  • @LocoLinda2
    A wonderful refresher course in glazing.
  • @TheVargsriket
    Great advice and demo, I learned some crucial things about shadow edge transition glazing I was wondering about for a while. Thank you!
  • @eddyjr66
    Fantastic demonstration. So well presented! And so generous of you to provide. Hope to use it well!
  • @plantiebee
    So happy to finally find a good instructional video about glazing, particularly glazing skin tones! Thanks so much!
  • @nikkiswenson54
    Thank you! You are so talented and helpful to watch for better understanding of glazing purpose.
  • Brilliant. The best explanation of glazing I've come across. Many thanks for your instruction.