1928 Gibson L-5 Dot Neck | Guitar of the Day - Jonathan Stout
14,351
Published 2024-08-21
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GUITAR: 1928 Gibson L-5 Dot Neck
GUITARIST: Jonathan Stout
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All Comments (21)
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THIS GUITAR IS ALMOST 100 YEARS OLD - look at the shape it’s in. Beautiful!
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need to put Jonathan on the payroll Norm!
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This man is my fav of all guests.
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Jonathan stout swing guitar is so relaxing,gets me laid back, wishing life was simpler, feels good.
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The tonal balance of this guitar is amazing!
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On top of everything else, I love these extended discussions with Norm and Jonathan about the guitars and the era in which they were played. Keep it going, Norm! We love it 🙏🏻❤🔥
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Guys, you’re lucky to play those wonderful guitars, but Norman is lucky too! And we are too… Great playing Mr Stout! Amazing! 👏🏼👏🏼👍🏼😊thank you all.🙏🏻
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That is a BEAUTIFUL guitar.
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That was a joyful moment. Thanks Norman and Jonathan much appreciated
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Norm knows how to lure the great Jonathan Stout back, so he can entertain us with more brilliant guitar playing! (I'm a longtime fan, and an owner of ~1940 L50, agonizing about putting a CC pickup on it..?)
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Thank you so much! Perfect guitar
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Always a joy to see Jonathan play. He brings out the melody and harmony out of each guitar!
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This guy is unbelievable never makes a mistake
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Hope we see Johnathan on a regular basis, absolutely incredible player!🙏🏻
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2:31 What a crazy burst….crazy good…like a fox, that is! 🎸
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Johnathan Stout keeps the tradition alive and demonstrates the true essence of Gibson guitars of the early years of production. Those vintage acoustics are resonant and loud, project even in a big band.
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It's got everything. That burst! The quality AND the sound. Stunningly beautiful.
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I always love it when Jonathan comes in : ) Thanks Norm.
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As Jonathan discusses, acoustic archtops are much more versatile than even long-time guitar players sometimes realize. There still seem to be so many who hear one of these and react in a huh??? way, as if they have no idea of how they can be put to use. Of course those of us who are jazz and swing players dream about a guitar like this historic '28 model that was designed to cut through horns and chunk out swing rhythm without a load of flattop-type overtones. Jonathan's right again about the difference that parallel bracing makes for swing -- x-bracing may be more versatile for those who want that, but parallel, as on this '28, is what the purist wants. Pre-kerfed era is better still!
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The return of Jonathan! Heck yeah!