Bill Evans Live '64 '75

I remember being broke as hell in college and wondering how I was gonna eat, pay rent, etc... I just spent all day one day listening to Bill Evans, and thought man life is fucking beautiful and when nothing is going your way at least we have music. Thanks Bill for helping me find solace, your music has had a huge impact on us.

It's Feb.2024. I'm sitting in my car at the library where I came to use the wi-fi on a Sunday morning. The weather is warm, so I have the windows down. When I finished what I came to do, I pulled up this video. A few seconds later a hawk landed on a wire 15 feet in the air above me and has been listening to Bill. He knows what's good.

Still listening in 2023....this music is meant to sound forever 😉

I saw him once. He filled the club with his rich piano playing. He filled my ears with his incredible playing. I’ll never forget it

Bill Evans is a king of piano! Who listens in 2021?

This was the trio that played Ronnie Scotts' club in the late sixties, Eddie Gomez and Paul Motian, and Bill took this band to Europe afterwards. My good fortune was to be conducted to the seat/ table to the right and rear of Bills keyboard, about six feet away from him, by Ronnie, who saved the best seats for visiting musicians who he knew would sit quietly listening, instead of talking and distracting. My friend Peter Taylor Wood and myself were working musicians in Dean Street, around the corner, and after our gig, we went into Ronnie's regularly. We sat through three sets listening to these great players, not knowing that history was being made there. Happy Days, and Bill was at his peak in my opinion.

Man,he makes a 10 hour drive seem short,never had a artist have such a major effect in my life.When I started driving 18 wheelers,my instructor was playing this.Didn’t understand then,but I do now.May his music continue to live on

A master. A legend. Timeless. Who's still here in 2022?!

Sweden '64 My Foolish Heart 0:00 Israel 4:40 France '65 Detour Ahead 9:09 My Melancholy Baby 14:16 Denmark '70 Emily 23:20 Alfie 27:50 Someday My Prince Will Come 33:05 Sweden '70 If You Could See Me Now 38:33 'Round Midnight 42:30 Someday My Prince Will Come 48:36 Sleepin' Bee 54:21 You're Gonna Hear From Me 58:59 Re: Person I Knew 1:01:56 Denmark '75 Sareen Jurer 1:07:38 Blue Serge 1:13:50 Up With The Lark 1:18:29 But Beautiful 1:25:06 Twelve Tone Tune Two 1:30:19

Why Jazz never seems to age like popular music, I'm sure this is like the 1950s or 60s, but still till this day the sounds are so fresh, even my kids to my grandkids will listen to Bill and many more legendary Jazz musicians.

This makes me feel okay with everything I’m not okay with

Most of the time, listening to Bill, I do tear up. He plays the piano like no other.

I’m 15 years old. I never loved jazz more than I did 15 years ago; because I weren’t alive.

My 89 year old housemate turned me onto Bill Evans…how blessed am I?? (I’m 60…jazz fan for most of my life, just NOW discovering him!)😉

Part of Evan’s appeal to me is, he took the time to state the melody so clearly in these great ballads before going off on his explorations. A lot of other great jazz interpreters , are cryptic, or dismissive of the tune from the outset of the piece. This respect of the theme melody made for a great foundation for the number

Can't you feel how he becomes part of the piano like he is an extension of the instrument. He lives in his music.

I'm a piano player- have been for 23 years. But Bill Evans- he's a piano demigod. I wouldn't even call what he did piano playing. I call it "Harmonic Transcendence". His chords are not chords. They're mathematical beauty.

Bill had a way of showing immense love for the beautiful pure intervals, the octave and the fifth, and used more dissonant intervals as a way to introduce contrast and highlight those beautiful resonances all the more when it was their time to be heard again. It takes darkness to really appreciate the sunlight. While many jazz players focused on the dissonances, Bill was all about those beautiful resonant intervals and chords.

His finger technique and control of tone, as well as thinking in long structures / melodic lines make him come very close to a classical concert pianist. Of course his taste and harmonic genius on top of that make him the unique Jazz musician he was. The guy is fascinating!

I am happy that i was lucky enough to listen to him playing piano on the stage.